Kymographic imaging of laryngeal vibrations

Kymographic imaging is a modern method for displaying and evaluating vibratory behaviour of the vocal folds, which is crucial for voice production. It allows visualizing the vibrations in a single picture and simplifies evaluation of vibrations when compared to watching laryngeal video recordings. In connection with high-speed video cameras, it visualizes vibratory features, which are not simply observable via traditional methods. We will explain the principle of the method and demonstrate its current possibilities for better understanding the laryngeal vibrations in singing as well as for more advanced diagnosis of functional voice disorders.

Selected aspects of optimalization of voice work in artistic and pedagogical professions – the AVM system (post-laryngectomy patients)

"What does it mean for the larynx to be missing?"

Treatment of head and neck cancers can save a patient's life, but it has a significant impact on their quality of life and recovery. Depending on the stage of the cancer, treatment decisions are made to remove the tumor, but they will greatly affect the functioning of the affected organs.

This leads to difficulties in swallowing, breathing, proper articulation of sounds, as well as in the correct emission of the voice or even the complete loss of voice. There are anatomical changes in the face, mouth, pharynx or larynx, as well as disorders of sensation and mobility of soft tissues of adjacent organs. After such treatment, patients require comprehensive rehabilitation, both physiotherapeutic and speech therapy, which should start even before the treatment on the ward and continue throughout the entire treatment period and beyond.

15 minutes

Perioperative care in frenectomy of the tongue

Although the frenulum of the tongue is increasingly described in the speech therapy literature, most publications do not refer to evidence-based practice, and their authors do not formulate conclusions without proposing practical-implementation implications. The presentation will organize the knowledge on ankyloglossia, available in the Polish and foreign-language literature, verify the views of the authors, and develop conclusions that can be a point for further research - the development of a standard of speechopedic management for the treatment of ankyloglossia - preparation of the patient for frenulotomy and postoperative care in the perspective of speechopedic care.

45 minutes

Cross-training Between Classical and CCM Styles

Transitioning from classical to musical theatre or commercial styles necessitates a recalibration of your vocal instrument. Once you've achieved mastery over factors like registration, vowel quality, and intensity, you can merge this newfound flexibility with stylistic techniques to unlock a whole new world of music. Most importantly, this evidence-based approach helps singers maintain their vocal health giving them longevity to grow as artists.

Teaching the Child Singer: A Specialized Approach

While children have their own unique vocal mechanism and style for learning to sing, the concepts and techniques that are most effective for working with children are rarely taught in pedagogy courses and workshops. Attendees will develop a better understanding of why learning teaching methods specifically for children is important. They will also learn about the physical, mental, and emotional development of children evolving through childhood into early adolescence. Lesson strategies for effective, age-appropriate training will also be addressed.

30 minutes

The problem of the  high larynx in singing; An alternative perspective

An elevated larynx posture has long been considered problematic for effective voicing, and many pedagogical and therapeutic models have been developed to combat this condition. How strong is the evidence that permanent posturing of the larynx is attainable? If any lasting height changes are not attained, what mechanisms might be at play that create lasting changes in voice quality? In this workshop, we will explore these concepts and engage the participant in touch-based methods for the remediation of laryngeal range limitations.